The atom while it plays. CLOCK sits in the middle, and each colored electron is a control.
Two channels, one clock.
On the left, the wet channel: a reverb that smears from scattered echoes into a wash, a delay that can repeat forever, and WARP, a sampler that plays your phrases back at other pitches.
On the right, the micro-looper, with three ways to play back what you just played: TAPE, ENV and STRETCH.
In the middle, CLOCK sets the sample rate of both channels at once, from 64 kHz down to 2 kHz, in octaves and fifths. Turn it down and the loop and the echoes drop exactly an octave, then a fifth, and get grainy like an old sampler. Your dry signal never goes through it.
Hiss and dropouts, to taste.
The ring around the atom is STABILITY. Drag it up or down like a knob, and its gaps and fading show which mode you picked.